SEARCH RESULTS FOR: Geraint Evans
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1922–92 Welsh baritone Evans joined the Covent Garden company in 1948, singing Mozart’s Figaro in his second season. He sang at Glyndebourne 1950–61, and made his debut at La Scala in 1960. Appearances in America included Beckmesser in Die Meistersinger (Chicago, 1959) and Verdi’s Falstaff (Metropolitan Opera, 1964). Renowned for many years in Mozart roles, in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Bill Evans was one of the most lyrical and romantic of all jazz pianists. His distinctive lightness of touch and singing tone on the piano shone most brightly in his favoured trio settings with compatible bass players and drummers, including famous line-ups that featured Scott LaFaro and Paul Motian, and later Eddie Gomez and Marty Morrell. Evans was born ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Arranger, composer, piano, 1912–88) Gil Evans (born Ian Green) achieved fame through his work with Miles Davis on the seminal recordings Miles Ahead (1957), Porgy And Bess (1959) and Sketches Of Spain (1960). His own output was relatively small, but his influence was much larger. His greatest gift lay in arranging – or more accurately, re-composing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1971) Evans moved to Nashville in 1991, where she met her husband, Craig Schelske. In 1995, her demo of the 1965 Buck Owens hit ‘I’ve Got A Tiger By The Tail’, attracted the attention of the song’s writer, Harlan Howard, and led to her signing with RCA Records and her much-hailed traditional country ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

‘The Tales of Hoffmann’ Premiered: 1881, Paris Libretto by Jules Barbier after the play by Barbier and Michel Carré Act I Hoffmann has neglected poetry in his search for love. His muse is transformed into a companion named Nicklausse in order to protect him. Hoffmann’s latest love, Stella, an opera singer, is also admired by Counsellor Lindorf. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed in 1944–45 and first performed on 7 June 1945, Peter Grimes reopened London’s Sadler’s Wells Theatre following the Second World War – at the request of managing director, soprano Joan Cross. This opera, and its success, provided the momentum that the post-war arts environment needed. From the moment Britten read ‘The Borough’ he began making plans ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1941 Spanish tenor Domingo was brought up in Mexico, where he made his debut as a baritone in 1957. He appeared as a tenor in Dallas in 1961, and was a member of the Israeli National Opera 1962–65. He sang Pinkerton (Madama Butterfly) at the New York City Opera in 1965, Maurizio in Cilea’s Adriana Lecouvreur at ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Country music and gospel have always been close partners, since many gospel acts come from the American South, and Nashville, the home of country music, lies in the heart of the Bible Belt. Numerous influences abound within the Church, stretching from traditional shape-note singing that goes back several hundred years, to today’s contemporary and Christian ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The singing cowboys did not have the monopoly on country music on the silver screen, although it was their breed that first caught Hollywood’s attention. By the time the 1940s rolled around, several of Nashville’s top stars found that they could expand their careers by bringing their talents to the vast new audiences. Singing Stars In the earlier decade ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The flugelhorn developed from the bugle, a signalling horn used in the Middle Ages and made out of bull or ox horn. This developed into a large, semicircular hunting horn made of brass or silver that was used by the military during the Seven Years’ War (1756–63). History Wrapping the horn around itself once, so the bell pointed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Adele Laurie Blue Adkins was born on 5 May 1988 in Tottenham, a deprived part of North London with a high rate of unemployment. Her mother, Penny Adkins, was just 18 and an art student when her daughter was born. Adele’s father, Mark Evans, exited Adele’s life when she was aged three, leaving mother and daughter ...

Source: Adele: Songbird, by Alice Hudson

(Vocal/instrumental group, 1965–75) Although their best-known work was released in the 1970s, Badfinger had been around since 1965 as The Iveys in their native north Wales. In 1966, they toured the UK backing David Garrick. Signed to the Apple Records label in 1968 as The Beatles’ potential successors, Tom Evans (bass), Mike Gibbins (drums), Pete Ham (guitar ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Alto saxophone, 1928–75) Julian ‘Cannonball’ Adderley and his brother, trumpeter Nat, presided over one of the 1960s’ hippest hard-bop outfits with pianist Joe Zawinul; ‘Mercy, Mercy, Mercy’ was one of their crossover hits. Adderley had been employed as a Florida school band director when he was overheard at a New York gig and was encouraged by ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Charlie Christian (1916–42) pushed guitar to the forefront of the big-band era, furthering the instrument’s evolution from a provider of acoustic accompaniment to an electrified foreground instrument that could pound out rhythm like a drum set or solo out front like a horn. His playing, in fact, was likened to jazz horn players who were leading the evolution ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

(Vocals, b. 1941) Ernest Evans started out as a Philadelphia novelty act who had his first hit in 1959 as a musical impressionist. In 1960, he recorded a more innocent version of a steamy Hank Ballard B-side, ‘The Twist’, which made it to the US No. 1, bubbling under for over a year afterwards before, uniquely ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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